Guest Sculptor

Found On Facebook: Introducing Karel Vreeburg

FOUND ON FACEBOOK  Introducing: Karel Vreeburg  

Karel_Vreeburg

The internet is becoming a much used source for every subject imagenable. Stone sculpting videos and images are at our finger tips through search engines, websites and social networks. Lane “discovered” Karel when he responded to Karel’s “friend” request on facebook. This introduction of Karel Vreeburg is a way to bring his work from the internet to our members. Karel graciously agreed to this facebook/website/Sculpture NorthWest connection. Here is some of what we found out about Karel and his amazing work.  

‘Uncovering Rings’, White Alabaster, 51 Cm X 50 Cm X 38 Cm, 2008 Karel Vreeburg is a a 60 year old stone sculptor living in Harrlem, Netherlands. On a straight line he’s 4 miles east of the Atlantic and 11 miles west of Amsterdam. He speaks French, German, English and Netherlands Taal (NT2).

In April of 2010, there was an article in STONE IDEAS.COM, a global on-line magazine for arcatecture and design with stone.   ‘540º Split Torus, The Breakthrough’, African Serpentine, 60 Cm X 50 Cm X 38 Cm, 2009

“To date we have presented a number of unconventional artists. But in the case of the Dutch Karel Vreeburg nothing complies to the conventional projection of a sculptor: he holds a PHD in medicine and began working in art after a short introduction at the ripe age of 53. In a precisely worded e-mail he writes that he actually only works the stone using methods which he learned in his early years as a dental technician except that shaping and mouldings takes place in the interior of the stone.

Fascinating forms come to light, which seem somehow impossible. He writes: "What I am looking for in the stone are mathematical objects such as a twisting, Möbius rings and mathematical knots."  540º Crossing Twisted Rings’, Cellular Concrete, 160 Cm X 120 Cm X 120 Cm, 2009

Father of the ideas is Mauritius Escher and his crazy yet maddeningly rational worlds. "Like Escher I am not interested in formulas, but in the visual outcome of them."

He calls his works "Hidden Sculptures". One piece captivates him for up to 300 hours using his old tools of the trade since conventional stone sculpting tools are only suited for the exterior of the stone.

‘Trefoil Knot With Attached Ring’, French Sandstone, 128 Cm X 65 Cm X 57 Cm, 2011 He dreams of working a really large object in the future, he writes. Yet another idea is an animated projection whereby complementary parts of a stone sculpture made of ice or snow and adapted to the colours of the stone would melt and flow away. Animation could produce a sort of creation and destruction – a coming and going in a sort of breathing or respiration.

Oh yes, he is also a bit remorseful at not having studied mathematics or Astronomy. At the 2009 Florence Biennale he was awarded 3rd prize for his work.”

Would you like to drop in on Karel at his studio? Here is what he said about that:

“My sculpture studio is on the ground floor of the old “Tax Building” in the city of Haarlem. You can find me there almost every Friday, Saturday and Sunday from 8 am to 5 pm. There is a permanent exposition of most of my sculptures in the building. It is not a public building, so the front door is closed. Call me to open the door. Visitors are welcome.”

‘Infinite Trefoil’, Blue Alabaster, 57 Cm X 53 Cm X 48 Cm, 2009   To see more go to: http://www.karelvreeburg.nl/index/13828493_Kunst+Critici.html

  International phone number: 0031 6 104 57 305

  Studio address: Surinameweg2, 2035VA Haarlem, Netherlands

  Karel’s website: This email address is being protected from spambots. You need JavaScript enabled to view it.

The German Sculptor Ben Siebenrock

Ben_Headshot-small-1By Verena Schwippert

Northern Europe
has many large erratic granite boulders that have traveled south from the Scandinavian mountains during one of the ice ages eons ago. In Germany they are called Findlinge which literally translated means foundlings. A good number of these old well-traveled boulders have been venerated by people from time immemorial.

In the late Stone Age communities built large ceremonial buildings and huge graves with them (some boulders as heavy as 40 ton were used). In the times since then, they have been part of the village life, often been given a name, and important ceremonies were held around them. In Lithuania, resides one giant flat-topped rock on which the surrounding villages still celebrate their weddings.

These days the law has put most of the large stones under its protection, yet there seem to be enough left over, or newly found in gravel pits, for Ben Siebenrock and very few other German stone sculptors to make sculptural art out of them.

Read more...

Cloudstone Revealed at Last

Cloudstone revealed at last!

 

By Tracy Powell

Number_6Remember Hank Nelson? He used to be the supplier of power on the field of Camp Brotherhood. For many years, Hank fed the compressor, kicked the balky generators, scrounged up the last hose and fitting and extension cord, and kept our symposium roaring like the well-oiled machine we all have come to expect. And once in a great while he would disappear into his own carving station, with water and noise flying, and turn the hardest stones into provocative little knots and puzzles. And how Hank could put away the meals!

In case you haven’t noticed, Hank has been absent for a few years, only popping in on rare occasions just to make sure we were all still here. And what has he been up to?

Cloudstone_GalleryCloudstone Sculpture Park. You gotta go see it. It’s over on South Whidbey, on a hill above Mutiny Bay. On September 26, in conjunction with the Whidbey Island Artists Studio Tour and Enso House, Hank opened his new gallery, and invited a couple hundred of his closest friends to tour the Park. The display of bronzes in the gallery is sensational, the cast iron pieces fantastic, the food was wonderful, served on 5 ton granite tables, and the band was a delight, but a little difficult to focus on. Walking around the Park with several groups of visitors, including Hank’s son and daughter and their families, all I could hear were oohs and aahs. Everyone was astounded at the size of the red granite sculptures, half a dozen of them - ten tons and more each.

Memorial_To_Deborah_Dakota_Mahogany_Granite_8_highAs Kirk Mc Lean observed, Hank has found his proper scale. And not size alone, the complexity, the engineering, the vision. Giant steel constructions reach for the sky. Some of the earthworks are huge cones of cobbles, with spiraling settings of larger stones, and capped with gray granite sculptures, standing and reclining. These are one and two ton pieces, but are dwarfed by their settings. There are canyons carved in the ground, scaped with steel and concrete rubble, like apocalyptic visions you can walk through, if you dare. We were all dumbfounded and overwhelmed. Our old buddy Hank Nelson is creating a marvel to rival any sculpture park anywhere. Uniquely inspiring, Hank’s work is beyond what most of us ever hope for, in power, intensity, and presence.  It must be seen and touched, and walked in to be believed. By all means, get out to Whidbey and have a look. You will be amazed!